When you create something for others, you often have to manage the reality of having two audiences. Those two audiences don’t necessarily align in what they want to see, either.
For example, imagine you work for an advertising firm, and a car company has hired you to create their new ad campaign. Well, you’ve got at least two audiences here (we’ll talk about the third later): The intended market for the cars, and the executives of the car company.
The executives of the car company want to sell cars, sure. But they also want to see an ad that makes them feel prestigious and boosts their ego. That’s not a knock on car company executives; everyone wants that. And that desire can conflict with the desire for an ad that sells cars most effectively; the ad campaign that makes them feel the best isn’t necessarily the campaign that will sell the most cars.
Your job, annoying as it might be, is to appeal to both audiences. If you create a campaign that will sell the maximum number of cars but it doesn’t appeal to the c-suite, you’re going to have a very, very tough time selling it. Sure, you’re the expert. Sure, they hired you because they knew you were the expert. But as soon as they disagree with you, suddenly they’re all experts, and what do you know, anyway?
The savviest among them might say “Look, I hate this, but I love money. And I’m not the target market for our cars, so it doesn’t really matter if I hate it. What matters is that the market analysis says our customers will love it, so we should do it.” In reality, maybe one person in ten has the self-awareness to think that way. Don’t count on it.
You have to find that middle ground, even if that means weakening the actual end result. The best campaign that never airs sells exactly zero cars.
And of course, there’s always that third audience, the one I alluded to earlier. You see, you have to make a campaign that appeals to your client and their customers… and your future clients. The third audience is comprised of all the people you want to impress – for your own prestige and status! See, I told you no one is immune.
Super Bowl commercials are often touted as the pinnacle of advertising, but lots of them fail to achieve their official objective, which is generating more revenue than they cost. But the advertising industry loves them; they give each other awards for them whether they sell anything or not. In the same way that the Oscar for Best Picture doesn’t go to the movie that made the most money, advertising awards are given to insiders by insiders. If you want to win an Oscar, sometimes you have to not make the movie that will sell the most tickets, and that dynamic applies pretty much everywhere.
For all creatives, the advice “Know Your Audience” is incomplete. It’s “Know Your Audiences.”